Being Cowboy in a Digital World

As we all know times have changed and few things are as they were.

Sometimes that’s good. Sometimes that’s bad. Mostly though, it’s just life.

Three young women talked about this on a discussion panel during the 30th annual National Cowboy Poetry Gathering last week, tackling the issue of Being Cowboy in a Digital World. One might think that the panelists, Jolyn Young, Jessica Hedges, and Jessie Veeder have their heads down over cell phones or Ipads most of the time, but that couldn’t be further from the truth.

All three women have diverse yet similar backgrounds in ranching and how they use the internet. Jolyn is a 26 year old cowboy’s wife and mother of one who lives on a remote ranch on the edge of the Jarbridge Wilderness in Nevada. She writes for the Nevada Rancher and uses her blog and Facebook to keep up with friends and family. The internet also allows her to research and submit her stories in a way she would not have access to otherwise.

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Jessica is a 25 year old cowboy’s wife and mother of two who lives on the ZX Ranch in Paisley, Oregon. She began using social media and blogging as a way to promote her cowboy poetry, but was also able to create an accessories line, The Buckarette Collection, that she markets via Facebook.  Jessica has found a better connection with her audience and customers because they have a relationship when they finally meet at a show or in her booth.

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Jessie is 30 years old and owns a ranch with her husband on the edge of the Badlands in western North Dakota while traveling extensively as a singer/songwriter and speaker. She began blogging as a way to tell her personal story and it has blossomed into a photography passion and a way to promote her brand. When Jessie also has a regular column in the Fargo Forum and uses the internet to contribute regularly to other publications.

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Yes, these ladies discussed the opportunities technology and social media have given them as wives and mothers in ranching communities but also how things are just the same.  Jolyn recently posted in her blog, “there still is no app for doctoring calves or how to shape your hat.”

The Western Folklife Center is hoping to initiate things kinds of conversations and more in the gatherings to come. What topics would you like to see discussed?

 

By Jessica Hedges

http://www.jessicahedgescowboypoetry.com

Trail’s End Ranch Radio Show

By Robin Wignall

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Fred Newman, Jerry Brooks and DW Groethe rehearsing the Trails End Ranch Radio Show.

The Trail’s End Ranch Radio Show is produced in the style of Prairie Home Companion and other radio shows of the old-style ilk. It is approachable for folks who are new to the cowboy poetry scene but has enough tooth to keep the veteran attendee interested as well. The show is highly entertaining to watch. I experienced the gambit of emotions—from laughing, to stomping my feet along to a great tune, to tearing up in sadness. It is worth the price of a ticket! And, there are still tickets available for the Friday 8:30 “airing” of the show at the National Cowboy Poetry Gathering, according to my inside source.

Written by singer-songwriter Stephanie Davis, the Trail’s End Ranch Radio Show features several vignettes, recitations from various famous cowboy poets, humorous faux ads and music played by the Trail’s End Ranch Hand Band. Fred Newman of Prairie Home Companion fame features prominently in the show. His table of sound-effects “instruments” includes a balloon to make alien sounds, glasses, beer bottles, a box of what sounded like aluminum recycling, a pair of old shoes and a roasting pan. I found myself wondering how he gets through TSA at the airport!

Poets DW Groethe, Henry Real Bird and Jerry Brooks are featured in the show. Groethe and Brooks even play characters in some of the skits. Groethe plays an alien with the assistance of a coffee can (you have to see it to believe it—its quite cool). Brooks plays a chuck-wagon gourmet well-versed in the preparation of roadkill. While Real Bird doesn’t participate in any of the skits. he recites several of his poems, interlaced with his native Crow Indian language.

The opening act is a paean to bailing twine. As any ranch kid knows, bailing twine holds the world together, and according to the show’s song, “is more useful than a ginzu knife at a Donner Party reunion.” Among other uses noted in the song are a leash for your pet lizard and a belt to hold your pants up. No matter what the problem, “the solution may be sitting on the dash of your truck…always carry bailing twine.”

There are multiple ads for made-up companies including Levitation Coffee for when you need to cowboy up, Western Brew Sarsaparilla with its natural mood enhancing agents, and a shady realty company that could take your ranch from cows to condos in 90 days or less.

Not all of the recitations are light-hearted. Brooks and Real Bird both recite  poems that are emotionally and intellectually stimulating. All three of the poems are about love, but not in that sickening romantic comedy way. I think Henry Real Bird said it best: “love is there like a robin in the winter sky.”

The show is sponsored by the Interculture Foundation. Tickets available at westernfolklife.org.

Dame Nevada

“There’s a basin, wrought of reason,
tortoise dry and clean of air
Where rivers hike to meet their fate,
get lost and disappear
Where Grand Adventure had a say
and different would prevail
And where only hardy life hangs on
to all that it entails”

This is the first stanza of Waddie Mitchell’s new poem, “Dame Nevada,” written in honor of the state’s 150th anniversary being celebrated this year. Waddie debuted the poem tonight at the opening show of the 30th National Cowboy Poetry Gathering, an official event of the sesquicentennial celebration.

The performance was opened by Nevada’s Lt. Governor Brian Krolicki, and featured Waddie with other Nevada artists, including songster Richard Elloyan, writer Carolyn Dufurrena, poet Walt “Bimbo” Cheney, and Larry Schutte singing the classic “Nighttime in Nevada.”

What a great start to what will most certainly be a wonderful 30th Gathering. We hope to post much more during the event, here and on Facebook (www.facebook.com/westernfolklife) and Twitter (www.twitter.com/westernfolklife). Come join us if you can!

Dame Nevada by Waddie Mitchell_sm

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A Lesson in Healing a Soldier’s Heart

First Nation title 1 from 38This is the third installment in a series of blog posts about the making of Healing the Warrior’s Heart, a public television special that presents a Native American perspective on the soldier’s experience, and explores the spiritual traditions that help returning American Indian soldiers cleanse themselves of war.

Gary Robinson is Partnering Producer for the project, and has been collaborating with Taki since early this year. Gary is a Native American author and filmmaker who has worked with tribal communities for more than 25 years to tell the stories of Native peoples in print and television. As part of the production of Healing the Warrior’s Heart, he traveled to Joshua Tree, California, to videotape portions of a Soldier’s Heart training session for therapists and pastors.  The Soldier’s Heart non-profit organization was created by Dr. Edward Tick and therapist Kate Dalstadt as a means of disseminating their work and helping to heal war trauma suffered by many veterans and their families.

“As an American Indian writer and filmmaker, I’ve been working with tribal communities for many years to shine a light on the struggles, accomplishments and cultural truths of American Indian peoples. Some of my recent work has focused on the history of American Indian service in the U.S. military and provided a means of sharing the incredible achievements of Native soldiers and their cultures.

Although I’ve participated in tribal ceremonies and veteran recognition activities on reservations across the country for years, I was not prepared for the profound teachings shared by Ed and Kate in this training session. I was only present for one day of the four-day training, but experienced an exhilarating sense of eye-opening hope in that circle of non-Native people.

Drawing on the discoveries of Joseph Campbell and the cultural teachings of traditional Native American warrior leaders such as Sitting Bull, Soldier’s Heart has mapped out a valid model that successfully heals war trauma (known to most as Post-Traumatic Stress Disorder or PTSD) and gives the military veteran the tools for productive reintegration into society. Dr. Tick and his colleagues realized long ago that for a “warrior’s return” to be successful, the veteran’s family and community must be brought into the process. They’ve identified the elements missing from American society that prevent our nation from being able to truly help and heal our emotionally and mentally wounded warriors.

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One exercise conducted during the weekend training called for non-veteran participants to imagine themselves being deployed to Afghanistan with three of their closest loved-ones (friends or family). This parallels what soldiers experience as they bond with their band of brothers (or sisters) as they go through training and head off to war. Then, as the exercise continued, they were to imagine watching each of those people killed in action before their very eyes. In the final step, these workshop participants were then shipped back home without any opportunity for emotional cleansing after those devastating losses. Once home, they’re expected to “get over it” and “move on” with their lives. Such is the condition of every person who has experienced combat. This was but one of the many first-hand lessons taught through the Soldier’s Heart training to help future counselors learn to better serve the needs of veterans suffering from post-war trauma.

Part of what excites me about the Healing the Warrior’s Heart project is its potential for transforming America’s understanding of our responsibilities to our veterans and our indebtedness to the very tribal cultures we once attempted to exterminate. But most of all, I am proud to be associated with this project for its potential for putting effective healing tools in the hands of more counselors, therapists, pastors and chaplains who work to heal our veterans’ wounded hearts.”  Gary Robinson

Healing the Warrior’s Heart: Turning Ancient Ceremonies Into Cutting Edge Therapy

First Nation title 1 from 38This is the second installment in a series of blog posts about the making of  Healing the Warrior’s Heart, a public television special that presents a Native American perspective on both the soldier’s and the veteran’s experience. The program reveals the central role that military service plays in Native life and explores the spiritual traditions that help returning American Indian soldiers reintegrate into society and cleanse themselves of war. Western Folklife Center Media Producer, Taki Telonidis, is heading up the production team and blogging about his experiences.

PlaneSunset“This was the view from my window seat as I headed back to Utah from Massachusetts after collecting the latest piece of the Healing the Warrior’s Heart story: an interview with a psychotherapist and author named Ed Tick.  More than a pretty sunset, it seemed a fitting coda for a conversation that dealt with spirituality and the soul.”

“I had decided to fly out and meet Dr. Tick after learning of his unique approach to treating veterans with Post Traumatic Stress Disorder (PTSD), and reading his book War and the Soul. Tick’s methods rely heavily on the healing traditions of Native Americans and other tribal peoples, which he has studied extensively over more than 30 years. His work with veterans began not long after the Vietnam War when he was a young therapist and a veteran walked into his office seeking treatment. When their eyes met, they did a double-take as they realized they’d been classmates in high school. But Tick’s friend was almost unrecognizable; his experiences serving in Vietnam had transformed him both physically and emotionally.”

ETick“Doing therapy with his former classmate connected Tick with the community of Vietnam veterans in his corner of upstate New York. Many of them were suffering, and the Veteran’s Administration (VA) system and other therapists didn’t know what to do with them. Tick told me the story of how the head of this group was so desperate for someone to help his comrades, that he “drafted” Tick to be their doctor. Tick came to see helping vets as a calling, although it wasn’t long before he realized that his training had not adequately prepared him for the task at hand. The diagnosis of PTSD (which at that time had recently been coined) didn’t adequately explain the suffering of these veterans. And the treatment protocols addressed only the symptoms, not the problem at its core.”

“So Tick decided to look at how other cultures defined and treated the trauma of war. His quest took him first to Greece (homeland of my family!) where he studied the ancient wars, learned about citizen soldiers, and found references to war trauma and healing in classical writings. His quest then led him back to America and to an examination of the healing traditions of our nation’s first warriors: Native Americans. He discovered that for thousands of years, American Indians, like tribal peoples around the world, have been dealing with the problem we now call PTSD, but in a very different way. Suffering warriors were people whose soul and spirit had been tainted by what they had done and witnessed; so they were cleansed and purified through rituals. There were other ceremonies intended to transfer the responsibility of a warrior’s actions to the entire community, relieving him of the burden of his deeds. Another step was the honoring of veterans by the community, an important rite of passage that put them on a life-long path of service to their people.”

“Learning about the healing traditions of Native peoples convinced Dr. Tick that they hold clues for America as it struggles to better assist its suffering veterans. In fact, Tick and his wife and partner Kate Dahlstedt have incorporated much of what they learned into retreats they conduct for veterans through their nonprofit organization, Soldiers Heart. Their work has caught the attention of the military, which last year hired them to conduct trainings for chaplains that incorporate the lessons of Native American healing.”

Untitled“Dr. Tick’s work has become important to the Healing the Warrior’s Heart project. His book War and the Soul deconstructs how tribal cultures define war and the emotional trauma it inflicts on soldiers. It also discusses Native American healing traditions at length, and identifies their key elements and how they contribute to healing at the core level. Tick’s forthcoming book, Warrior’s Return, maps out how those elements can be applied in a non-native context, and used by chaplains and other professionals in treating veterans who served in the recent wars in Iraq and Afghanistan.”

“The interview with Tick was a powerful experience, as the information and passion poured out of him; it was a lot like drinking out of a fire hose. Now the challenge will be to absorb it all, and figure out how best to use it in the documentary.”      Taki Telonidis

Healing the Warrior’s Heart: On the Road in Montana

First Nation title 1 from 38The Western Folklife Center’s Media Producer Taki Telonidis and his production team recently returned from a 2-week shoot on the Blackfeet reservation in northern Montana for the documentary Healing the Warrior’s Heart, a public television special that presents a Native American perspective on both the soldier’s and the veteran’s experience. The program reveals the central role that military service plays in Native life and explores the spiritual traditions that help returning American Indian soldiers reintegrate into society and cleanse themselves of war. In addition to Taki, the production team includes partnering producer Gary Robinson, videographer Doug Monroe and sound engineer Paul Maritsas. This is Taki’s first blog entry about his experience shooting the film.

“The film shoot on the Blackfeet reservation was an intense experience, and one that served as a reminder of the poverty and tremendous need that exist among Native populations, as well as the power and hope that reside within traditions and spirituality. The Blackfeet Nation is a place where warrior identity is very much alive in our time, even though many current soldiers have lost the connection with the healing traditions practiced by their ancestors. Yet there are others for whom those traditions remain relevant both during their deployment and as they re-enter society.

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Vietnam veteran Marvin Weatherwax presents an eagle feather to Martin Connelly.

“We spent a couple of days with one young man named Martin Connelly who recently returned from Afghanistan, was suffering acute symptoms of PTSD, and is now finding relief through ritual and spirituality. It seems that warrior ceremonies at Blackfeet were largely ignored as recently as 15 years ago, but are now re-emerging as a result of the wars in Iraq and Afghanistan and the need to help soldiers who are having a difficult time when they come home.

“We attended a sweat lodge for two returning veterans (one of whom was Martin), and witnessed an honoring ceremony for them in which an elder veteran/spiritual leader presented them with an eagle feather and warrior name, an important rite of passage for combat veterans.

“We also conducted interviews with two directors at the Veterans’ Administration who’ve been instrumental in establishing Native Healing ceremonies at several VA centers including here in Salt Lake City. They expressed frustration with how slowly the VA system has incorporated Native healing into its programs, and also told us that they’ve documented a decrease in the use of medication by both Native and non-native vets who take part in sweat lodges and other Native ceremonies.

“We did an interview with the head of the Crazy Dog society, who are the keepers of Blackfeet spirituality, and who include many veterans in their ranks. We were able to record some of the preparations for their annual Sundance or Okan.

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Three horses and a mule

“In strategizing about what visuals could best accompany a section that discusses how the healing traditions of today are carried over from warrior history and ceremony that reach back hundreds of years, we decided to do a warrior reenactment with young riders from one of the local ranches on the Blackfeet reservation. After rain forced us to postpone the reenactment twice, the weather cooperated on the third day and we were able to shoot a very nice sequence of warriors going off and returning from war. Incidentally, this reenactment was organized by a veteran of Desert Storm and the 2nd Iraq war who was given the title of War Chief after his return home.

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A scene from the Blackfeet warrior reenactment

“We came home from our trip with more than a dozen interviews, and well over 1,000 video clips which we are now labeling and organizing. Right now the thought of boiling down this mountain of video into a coherent story seems daunting, but most big projects feel that way in the early stages of editing.”

Healing the Warrior’s Heart is a production of the Western Folklife Center in collaboration with Tribal Eye Productions and KUED Channel 7, Salt Lake City’s PBS affiliate. The program will premiere in 2014. You can support this project with a stakeholder donation to Western Folklife Center Media Programs.

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The intrepid crew scans the horizon: Paul Maritsas (Sound), Taki Telonidis, Gary Robinson (Partnering Producer), Doug Monroe (Director of Photography)

Cowboys and Accordions in the Rear View Mirror

29th National Cowboy Poetry Gathering
Monday, February 3, 2013

Cowboy Poetry is over but the friendships continue. On a balmy Monday morning, it’s a bittersweet trip to the airport to send off  my sweetie Chuck back to New Zealand for several months. The parting is sweetened by an impromptu accordion serenade and mini-reunion in the airport lounge with Italian musicians Marco and Gianluca, chef Valerio, and Cowboy Celtic’s Keri and Nathan.  Chuck and I dance a waltz and a schottische, seeing the beaming faces of our new friends as we whirl past. As everyone heads to the plane, my mood lightens a little to see Valerio grinning ear to ear back at me.  A few minutes later, still wrapped in the  afterglow of the Gathering and melancholy of parting, I bask in the sun while listening to Hot Club of Cowtown and watching the aircraft take to the sky.

For those of you also suffering from “post-party depression” like me – or who missed this year and are looking forward to the 30th – you can recapture a bit of the mood on the Western Folklife Center’s YouTube channel at https://www.youtube.com/user/westernfolklife.  Share your remembrances and photos with us at info@westernfolklife.org. And please tag your Facebook photos with Western Folklife Center, so we can see what memories you’re taking home with you from the Gathering!

Written by Amy Mills, Programs Coordinator, Western Folklife Center